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Blood Money
By:Richard Nowell
Published on 2010-12-23 by Bloomsbury Publishing USA
Scholars have consistently applied psychoanalytic models to representations of gender in early teen slasher films such as Black Christmas (1974), Halloween (1978) and Friday the 13th (1980) in order to claim that these were formulaic, excessively violent exploitation films, fashioned to satisfy the misogynist fantasies of teenage boys and grind house patrons. However, by examining the commercial logic, strategies and objectives of the American and Canadian independents that produced the films and the companies that distributed them in the US, Blood Money demonstrates that filmmakers and marketers actually went to extraordinary lengths to make early teen slashers attractive to female youth, to minimize displays of violence, gore and suffering and to invite comparisons to a wide range of post-classical Hollywood's biggest hits; including Love Story (1970), The Exorcist (1973), Saturday Night Fever (1977), Grease and Animal House (both 1978). Blood Money is a remarkable piece of scholarship that highlights the many forces that helped establish the teen slasher as a key component of the North American film industry's repertoire of youth-market product.
This Book was ranked at 30 by Google Books for keyword Teen.
Book ID of Blood Money's Books is W1LKBAAAQBAJ, Book which was written byRichard Nowellhave ETAG "vbyyJPznrIg"
Book which was published by Bloomsbury Publishing USA since 2010-12-23 have ISBNs, ISBN 13 Code is 9781441143167 and ISBN 10 Code is 1441143165
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Book which have "304 Pages" is Printed at BOOK under CategoryPerforming Arts
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Colm Tóibín, that award-winning author of Typically the Masterand Brooklyn, revolves the interest in the sophisticated connections among daddies not to mention sons—particularly the stresses involving the literary the behemoths Oscar Wilde, Louis Joyce, W.B. Yeats, in addition to their particular fathers. Wilde loathed his or her parent, though recognised that they are substantially alike. Joyce's gregarious dad or mom forced your partner's child out of Ireland because of this volatile temper and also drinking. Although Yeats's biological dad, your painter, was plainly a marvelous conversationalist in whose gossip was basically a lot more polished as opposed to paintings he / she produced. These renowned blokes and the daddies exactly who made it simpler for condition these individuals come well in Tóibín's retelling, just like Dublin's splendid inhabitants.
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